“ Owl Crashes In”
Spring 2009
It is the very beginning of spring, and in the melting snow a few weeks ago my eye caught a bright reflection on the ground: chunks of broken glass along the wall. When I looked up, I saw that the outer window of the classroom above the garage had been shattered. The window was double-paned, and on the inner pane was a startlingly complete outline of a huge owl, spread winged and tailed, made by either the dust or oil of its feathers on impact. There was no owl body to be found, so miraculously it appeared to have been spared.
A few days later, I noticed that the inner pane had chunks missing, and I assumed it too must have been cracked during the original impact. I went upstairs to find that several pieces had fallen onto the carpet inside the classroom. Impressive! The power of the owl had crashed through 2 layers of glass and opened up this inside space, where I regularly teach shamanic courses, to the great outdoors.
Owl has been a major spirit ally of mine for 23 years, and is the Being that first heralded my entry into shamanism by flying out into a large cow pasture one hot Oklahoma afternoon and landing 20 feet in front of me on the dirt path I was walking at the time. This window crash was equally dramatic, and I knew I needed to attend to the message it was bringing.
I sat quietly in the classroom, taking my pulse as a drumbeat to carry me to the spirit realm. It didn’t take long for Owl to fly into my heart with its message: MAKE MORE ROOM FOR SPIRIT in my work. What had happened in the physical classroom was a clear metaphor. Although I thought that much of my work was already guided by spirit, Owl was asking that I not only talk about spirit and see spirit at work through the metaphoric glass panes – but that I also drop any unnecessary barriers to the direct experience of spirit and its ability to use me in service.
A friend of mine recently observed that in the initial phases of working with helping spirits, we often compartmentalize: now I am doing shamanic journeywork, now I am tending to my regular life, “Oh, I haven’t connected with my helping spirits for a while,” etc. But as we develop and deepen in our understanding of the shamanic path, we recognize that there is no separation: to live in our Truth means to experience the Divine within us and around us at all times -- no separation. Owl wants to make this clear to us all!
A young woman I know is working on this issue in a particular way, and I think sums it up for many of us when she writes, “Back as a teenager, I couldn't fully give into spiritual awakening, because there were too many other ways I felt I had to be. But it would come creeping back, reminding me that I was a daughter of the Night and that my path was different than what everyone around me told me it should be. I remember realizing at some point that I haven't figured out how to balance these two worlds, this waking reality with the mystical Spirit world. I feel like I always short change one of them in my effort to remain human. And that's just it: in this Spirit work, how do I let it show up every moment of my waking day? How do I worship the moment just as it is, no attachments, just surrendering to the pure bliss of the moment? I think that's it, that's the question that's showing up for me. In this fragile human form, how will I worship today?”
Another friend is the cook at a local high school. There the pace is extremely hectic, and it would be easy for her to get distracted from the deeper purpose she feels about her work there. Yet she is able to bless and send to the Light the spirits of the hundreds of pounds of turkey and chicken and beef that pass through her hands each week as she gives thanks for the animals’ gift; able to say to each of the young students as she hands out a breakfast roll “You’re welcome!” straight from her heart; able to receive information from the spirit of the plants she prepares about how it wants to be put with other foods to create dishes that offer vitality and spiritual energy to the students. The response has been notable: students coming up to thank her, teaching staff starting to eat in the cafeteria more often, others on her cooking staff beginning to pray over the food as well; and a buzz and mystique about what’s going on in the dining service area!
So the possibilities for us to be in service are endless. Spirit wants us to not make unnecessary separations and distinctions about what is and is not holy, about when our life is in service and when it is not. (How can we know, anyway?) Our part in this sacred alliance is to break the glass panes and offer ourselves as a gift to Life!
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| -- Darrell Bourque, Plainsongs |
“A Place of Continuous Prayer”
Fall-Winter 2008
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Spring 2008
In an early morning dream, I am taking someone into a building to show them my office. When I open it, there is a large pool table and other recreational equipment filling the space. When I push it all out into the hall, I realize all my office stuff is missing. I go to the manager to report it, working myself up to be very angry and dramatic so she will take action to get my stuff back. I tell her, and she looks right at me and starts to laugh. It makes me laugh, too – and soon we are out on the front lawn, rolling around and laughing and laughing.
“Infinite Games”
Spring 2008
In an early morning dream, I am taking someone into a building to show them my office. When I open it, there is a large pool table and other recreational equipment filling the space. When I push it all out into the hall, I realize all my office stuff is missing. I go to the manager to report it, working myself up to be very angry and dramatic so she will take action to get my stuff back. I tell her, and she looks right at me and starts to laugh. It makes me laugh, too – and soon we are out on the front lawn, rolling around and laughing and laughing.
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Fall-Winter 2006
My attention was immediately grabbed by a song title on a recently purchased CD, "The Light from a Burning Bridge." I sat stock still, the image rippling through me. I immediately began to wonder: How is it we learn to let go? How do we leave the familiar land we have been in to move on to new worlds? How do we drop old patterns when we don't even know we've outgrown them – these old patterns that are unlike the tricycle or the tiny pink sweatsuit with sparkles we had to say goodbye to when our larger size became apparent.
“ The Light from a Burning Bridge”
Fall-Winter 2006
My attention was immediately grabbed by a song title on a recently purchased CD, "The Light from a Burning Bridge." I sat stock still, the image rippling through me. I immediately began to wonder: How is it we learn to let go? How do we leave the familiar land we have been in to move on to new worlds? How do we drop old patterns when we don't even know we've outgrown them – these old patterns that are unlike the tricycle or the tiny pink sweatsuit with sparkles we had to say goodbye to when our larger size became apparent.
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Spring-Summer 2006
I have just finished a book, The Spell of the Sensuous, by David Abram. Abram is one of those writers whose long arms reach across the span of time to create a framework for helping you understand something that has been unsettled in your bones for a long time. I have always had a deep love of nature, yet there has always seemed to be a great chasm that kept me separate and chatting in my head as I walked through canyons, creeks, or soft swamps.
“The World and the Alphabet”
Spring-Summer 2006
I have just finished a book, The Spell of the Sensuous, by David Abram. Abram is one of those writers whose long arms reach across the span of time to create a framework for helping you understand something that has been unsettled in your bones for a long time. I have always had a deep love of nature, yet there has always seemed to be a great chasm that kept me separate and chatting in my head as I walked through canyons, creeks, or soft swamps.
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Winter 2005-2006
This is a season of miracles, when nature offers an immense metaphor of the return of light to our lives. Human experience through the millennia melds with nature’s cycles, coming to some as the story of the Magi following a star, to others as the miracle of a lamp that continues to burn, to ancient Celts as burning the Yule log as an effigy of the goddess of darkness to make way for the coming of light.
“Darkness and Light”
Winter 2005-2006
This is a season of miracles, when nature offers an immense metaphor of the return of light to our lives. Human experience through the millennia melds with nature’s cycles, coming to some as the story of the Magi following a star, to others as the miracle of a lamp that continues to burn, to ancient Celts as burning the Yule log as an effigy of the goddess of darkness to make way for the coming of light.









